Spent my evening watching Kiyoshi Kurosawa’s Doppelgänger (2003). It’s about an inventor (Kôji Yokusho) suffering from an acute creative block, who encounters his double. What results is a scientific breakthrough, the price of which is murder, not to mention the inventor’s sanity. The story is a dark comedy, which is a complete departure from the kind of films on which Kurosawa built his reputation, namely ‘Cure’ and ‘Pulse’. At the same time, Doppelgänger clearly exhibits Kurosawa’s fascination with the paranormal.